The only woman director to work in Hollywood in the 1950s, Ida Lupino earned full marks as a creative innovator and a positive force in the industry. It was a restrictive time for the movies: politically, socially, every which way. But Lupino’s independent film about a rape victim passed through the censorship gauntlet — as long as the ‘R’ word was never spoken, of course. Mala Powers is the distraught victim who tries to run away from life in the powerful drama, which remains valid and topical.
Outrage
Region-Free Blu-ray
Viavision [Imprint]
1950 / B&w / 1:37 Academy / 75 min. / Street Date December 29, 2021, January 7, 2022 / Available from Viavision, Available from Amazon
Starring: Mala Powers, Tod Andrews, Robert Clarke, Raymond Bond, Lillian Hamilton, Rita Lupino, Hal March, Kenneth Patterson, Jerry Paris, Angela Clarke, Roy Engel, William Challee, Joyce McCluskey, Albert Mellen, Vic Perrin.
Cinematography: Archie Stout
Production Designer: Harry Horner
Film Editor: Harvey Manger
Original...
Outrage
Region-Free Blu-ray
Viavision [Imprint]
1950 / B&w / 1:37 Academy / 75 min. / Street Date December 29, 2021, January 7, 2022 / Available from Viavision, Available from Amazon
Starring: Mala Powers, Tod Andrews, Robert Clarke, Raymond Bond, Lillian Hamilton, Rita Lupino, Hal March, Kenneth Patterson, Jerry Paris, Angela Clarke, Roy Engel, William Challee, Joyce McCluskey, Albert Mellen, Vic Perrin.
Cinematography: Archie Stout
Production Designer: Harry Horner
Film Editor: Harvey Manger
Original...
- 3/22/2022
- by Glenn Erickson
- Trailers from Hell
It’s a collection of 6 — count ’em Six — horror and sci-fi curiosities from the ’40s and ’50s, aimed straight at covetous fantasy film addicts. Wacky scripts, strange characterizations and poverty row production values are on view, but the fine transfers reveal professional cinematography and occasional impressive direction. The films are definitely of their time — the censor-inhibited 1940s pictures rely on spooky situations because they can’t show blood or too much violence. And a pair of low-end B&w ‘scope thrillers from the ‘fifties drive-in era do more with less, cutting corners in interesting ways. Viavision anoints the shows with expert commentaries and a couple of real surprises: an entire extra feature and a rare 1950s TV show.
Silver Screams Cinema
Region-Free Blu-ray
Return of the Ape Man, The Phantom Speaks, The Vampire’s Ghost, Valley of the Zombies, She Devil, The Unknown Terror
Viavision [Imprint] 54, 55, 56
1944-1957 / B&w / 2:35 widescreen...
Silver Screams Cinema
Region-Free Blu-ray
Return of the Ape Man, The Phantom Speaks, The Vampire’s Ghost, Valley of the Zombies, She Devil, The Unknown Terror
Viavision [Imprint] 54, 55, 56
1944-1957 / B&w / 2:35 widescreen...
- 8/17/2021
- by Glenn Erickson
- Trailers from Hell
Viavision’s second deluxe Film Noir boxed finds real variety in the film style, with entries that range from low-budget efforts to a picture filmed on location in Mexico. Richard Conte solves a notorious movie studio murder in Hollywood Story, Gig Young is a cop who considers going crooked in City that Never Sleeps, Glenn Ford dodges murderous treasure hunters in Plunder of the Sun and Steve Cochran’s cop really does go rogue in Private Hell 36.
Essential Film Noir Collection 1
Blu-ray (Region-Free)
Viavision [Imprint] 18, 19, 20, 21
1947-1957 / B&w / 1:37 Academy / 327 min. / Street Date October 28, 2020 / Available from Viavision [Imprint] / 149.99
Starring: Richard Conte, Julia Adams; Gig Young, Mala Powers, Marie Windsor; Glenn Ford, Diana Lynn, Patricia Medina; Ida Lupino, Steve Cochran, Howard Duff.
Directed by William Castle, John H. Auer, John Farrow, Don Siegel
Viavision’s noir series throws a wide net, with two debuts on Blu-ray and one full debut on home video.
Essential Film Noir Collection 1
Blu-ray (Region-Free)
Viavision [Imprint] 18, 19, 20, 21
1947-1957 / B&w / 1:37 Academy / 327 min. / Street Date October 28, 2020 / Available from Viavision [Imprint] / 149.99
Starring: Richard Conte, Julia Adams; Gig Young, Mala Powers, Marie Windsor; Glenn Ford, Diana Lynn, Patricia Medina; Ida Lupino, Steve Cochran, Howard Duff.
Directed by William Castle, John H. Auer, John Farrow, Don Siegel
Viavision’s noir series throws a wide net, with two debuts on Blu-ray and one full debut on home video.
- 6/29/2021
- by Glenn Erickson
- Trailers from Hell
More than a movie star: America’s one female Hollywood director working in the 1950s receives a four-title boxed set well worth the investment — one noir mini-masterpiece is accompanied by a pair of independent social issue movies better than what the studios were turning out. It’s all thanks to Lupino’s fine dramatic direction. She emphasizes basic human values: cooperation over competition, and interior conflict. Her company ‘The Filmmakers’ lasted only about six years, but as an independent experiment it consistently turned out ‘special’ pictures anybody could be proud of.
Ida Lupino Filmmaker Collection
Blu-ray
Not Wanted, Never Fear, The Hitch-Hiker, The Bigamist
Kl Studio Classics
1949-1953 / B&w / 1:66 widescreen (1) 1:37 Academy (3) / 91, 81, 71, 79 min. / Street Date September 24, 2019 / available through Kino Lorber / 29.95
Starring: Sally Forrest, Keefe Brasselle, Leo Penn, Hugh O’Brian, Joan Fontaine, Edmond O’Brien, Ida Lupino, Frank Lovejoy, William Talman.
Cinematography: Henry Freulich; Archie Stout; George E. Diskant...
Ida Lupino Filmmaker Collection
Blu-ray
Not Wanted, Never Fear, The Hitch-Hiker, The Bigamist
Kl Studio Classics
1949-1953 / B&w / 1:66 widescreen (1) 1:37 Academy (3) / 91, 81, 71, 79 min. / Street Date September 24, 2019 / available through Kino Lorber / 29.95
Starring: Sally Forrest, Keefe Brasselle, Leo Penn, Hugh O’Brian, Joan Fontaine, Edmond O’Brien, Ida Lupino, Frank Lovejoy, William Talman.
Cinematography: Henry Freulich; Archie Stout; George E. Diskant...
- 10/8/2019
- by Glenn Erickson
- Trailers from Hell
Ida Lupino (c. 1952). Courtesy Film Forum via Photofest.Much has been written about Ida Lupino’s centenary this year, and the renewed critical attention is a cause for celebration. The veteran screen actor and director of Golden Age Hollywood has too often been a name casually trotted out in lip service to women’s historical impact in the film industry. She most certainly did have that impact, but her films have proven difficult to see and completism with her work has been equally challenging. This began to shift after Martin Scorsese wrote an affectionate obituary of Lupino in a 1995 issue of The New York Times. Not long after, restorations and DVD releases would follow—some by Scorsese’s Film Foundation itself. Now, in her centenary year, both the British Film Institute and New York’s Film Forum are holding retrospectives to celebrate her, including works like her mother-daughter sports saga Hard,...
- 11/15/2018
- MUBI
Karina Longworth has long ridden the swells of writing about Hollywood, whether as an early movie blogger at Cinematical and Spout, long-form reviewer at La Weekly, author, or podcaster at the Panoply network and now Slate. And in her latest book, “Seduction: Sex, Lies, and Stardom in Howard Hughes’s Hollywood,” she looks back at how women rose to power in a time when the only hope was to please the men who got there first.
“Seduction” fashions a revisionist feminist Hollywood narrative by using notorious womanizer and Rko mogul producer Hughes as a way to examine 10 actresses caught in his maw from the 1920s through the 1950s. These include Katharine Hepburn and Jane Russell (for whom Hughes famously fashioned an aeronautic brassiere), and Ida Lupino, who turned herself from a teen blond bombshell into a top actress, writer and director. All found success by doing something women have done...
“Seduction” fashions a revisionist feminist Hollywood narrative by using notorious womanizer and Rko mogul producer Hughes as a way to examine 10 actresses caught in his maw from the 1920s through the 1950s. These include Katharine Hepburn and Jane Russell (for whom Hughes famously fashioned an aeronautic brassiere), and Ida Lupino, who turned herself from a teen blond bombshell into a top actress, writer and director. All found success by doing something women have done...
- 11/14/2018
- by Anne Thompson
- Thompson on Hollywood
Karina Longworth has long ridden the swells of writing about Hollywood, whether as an early movie blogger at Cinematical and Spout, long-form reviewer at La Weekly, author, or podcaster at the Panoply network and now Slate. And in her latest book, “Seduction: Sex, Lies, and Stardom in Howard Hughes’s Hollywood,” she looks back at how women rose to power in a time when the only hope was to please the men who got there first.
“Seduction” fashions a revisionist feminist Hollywood narrative by using notorious womanizer and Rko mogul producer Hughes as a way to examine 10 actresses caught in his maw from the 1920s through the 1950s. These include Katharine Hepburn and Jane Russell (for whom Hughes famously fashioned an aeronautic brassiere), and Ida Lupino, who turned herself from a teen blond bombshell into a top actress, writer and director. All found success by doing something women have done...
“Seduction” fashions a revisionist feminist Hollywood narrative by using notorious womanizer and Rko mogul producer Hughes as a way to examine 10 actresses caught in his maw from the 1920s through the 1950s. These include Katharine Hepburn and Jane Russell (for whom Hughes famously fashioned an aeronautic brassiere), and Ida Lupino, who turned herself from a teen blond bombshell into a top actress, writer and director. All found success by doing something women have done...
- 11/14/2018
- by Anne Thompson
- Indiewire
This ’50s drug epic is not about hopheads on dope, but working folk frying their brains on amphetamines. Peter Graves’ undercover narc seeks the source of deadly pills that are wreaking havoc in the trucking industry; the film’s wild card is an unhinged Chuck Connors — yes, that Chuck Connors — as a deranged pill-popper running amuck on the highways. Seat belts recommended.
Death in Small Doses
DVD
The Warner Archive Collection
1957 / B&W / 1:85 enhanced widescreen / 79 min. / Street Date January 8, 2013 / available through the WBshop / 17.99
Starring: Peter Graves, Mala Powers, Chuck Connors, Merry Anders, Roy, Roy Engel, Robert Williams, Harry Lauter, Claire Carleton, John Dierkes, Robert Shayne.
Cinematography: Carl Guthrie
Film Editor: William Austin
Original Music: Robert Wiley Miller, Emil Newman
Written by John McGreevy, from an article by Arthur L. Davis
Produced by Richard V. Heermance
Directed by Joseph M. Newman
The picture that crosses the forbidden territory… of Thrill Pills!
Death in Small Doses
DVD
The Warner Archive Collection
1957 / B&W / 1:85 enhanced widescreen / 79 min. / Street Date January 8, 2013 / available through the WBshop / 17.99
Starring: Peter Graves, Mala Powers, Chuck Connors, Merry Anders, Roy, Roy Engel, Robert Williams, Harry Lauter, Claire Carleton, John Dierkes, Robert Shayne.
Cinematography: Carl Guthrie
Film Editor: William Austin
Original Music: Robert Wiley Miller, Emil Newman
Written by John McGreevy, from an article by Arthur L. Davis
Produced by Richard V. Heermance
Directed by Joseph M. Newman
The picture that crosses the forbidden territory… of Thrill Pills!
- 9/22/2018
- by Glenn Erickson
- Trailers from Hell
Remember Charlie Chaplin's 'The Killer with a Heart?' You too will be frustrated by this well-produced story of a slum kid who commits an unpardonable crime... except that a do-gooder priest wants to pardon him. Dana Andrews and Farley Granger star but the good work is in the smaller roles of this urban tragedy. Edge of Doom DVD-r The Warner Archive Collection 1950 / B&W / 1:37 flat Academy / 97 min. / Street Date February 9, 2016 / available through the WBshop / 18.59 Starring Dana Andrews, Farley Granger, Joan Evans, Robert Keith, Paul Stewart, Mala Powers, Adele Jergens, Harold Vermilyea, John Ridgely, Douglas Fowley, Mabel Paige, Howland Chamberlain, Houseley Stevenson Sr., Jean Inness, Ellen Corby, Ray Teal. Cinematography Harry Stradling Film Editor Daniel Mandell Original Music Hugo Friedhofer Written by Philip Yordan Produced by Samuel Goldwyn Directed by Mark Robson
Reviewed by Glenn Erickson
What's the most hopeless, depressing, feel-bad film noir on the charts? How about Detour,...
Reviewed by Glenn Erickson
What's the most hopeless, depressing, feel-bad film noir on the charts? How about Detour,...
- 5/16/2016
- by Glenn Erickson
- Trailers from Hell
Chis Marker's Chat écoutant la musiqueThere are dog people and there are cat people, this we know, and there are even people who claim to be of both—though latent sympathies remain unspoken, like with a parent and which child is their favorite. With the Vienna Film Festival welcoming me with a tumbling collection of dog and cat short films spanning cinema's history—the Austrian Film Museum, an essential destination each year collaborating with the Viennale, is hosting a “a brief zoology of cinema” throughout the festivities—it is clear that filmmakers, too, have their preference. Silent cinema decidedly prefers the more easily trained and exhibited canine, with 1907’s surreal favorite Les chiens savants as a certain kind of cruel pinnacle. For the cats, Chris Marker, already the presiding figure over so much in 20th century art, I think we can easily claim is the cine-laureate. One need not know...
- 11/8/2015
- by Daniel Kasman
- MUBI
'The Man from U.N.C.L.E.' 2015: Henry Cavill and Armie Hammer. 'The Man from U.N.C.L.E.' movie is a domestic box office bomb: Will it be saved by international filmgoers? Directed by Sherlock Holmes' Guy Ritchie and toplining Man of Steel star Henry Cavill and The Lone Ranger costar Armie Hammer, the Warner Bros. release The Man from U.N.C.L.E. has been a domestic box office disaster, performing about 25 percent below – already quite modest – expectations. (See also: “'The Man from U.N.C.L.E.' Movie: Bigger Box Office Flop Than Expected.”) This past weekend, the $80 million-budget The Man from U.N.C.L.E. collected a meager $13.42 million from 3,638 North American theaters, averaging $3,689 per site. After five days out, the big-screen reboot of the popular 1960s television series starring Robert Vaughn and David McCallum has taken in a mere $16.77 million. For comparison's sake:...
- 8/19/2015
- by Zac Gille
- Alt Film Guide
'The Man From U.N.C.L.E.' with Henry Cavill and Armie Hammer. 'The Man from U.N.C.L.E.' box office: Bigger domestic flop than expected? Before I address the box office debacle of Warner Bros.' The Man from U.N.C.L.E., I'd like remark upon the fact that 2015 has been a notable year at the North American box office. That's when the dinosaurs of Jurassic World smashed Hulk and his fellow Halloween-costumed Marvel superheroes of Avengers: Age of Ultron. And smashed them good: $636.73 million vs. $457.52 million. (See also: 'Jurassic World' beating 'The Avengers' worldwide and domestically?) At least in part for sentimental (or just downright morbid) reasons – Paul Walker's death in a car accident in late 2013 – Furious 7 has become by far the highest-grossing The Fast and the Furious movie in the U.S. and Canada: $351.03 million. (Shades of Heath Ledger's unexpected death...
- 8/16/2015
- by Zac Gille
- Alt Film Guide
I had never seen any of Alan Rowe Kelly’s films until he contacted me—literally moments after posting my first Gay Of The Dead blog. And yes, that is Alan in the photo to the left. Don’t worry, we’ll get to that later.
Kelly’s opening salvo to me was the grisly, intense and controversial A Far Cry From Home segment from the recently wrapped Gallery Of Fear anthology, which he co-wrote, co-directed and produced for his Southpaw Pictures. From there I jumped back to his first feature, I’LL Bury You Tomorrow, a loopy, sprawling, bloody feature that manages to wind storylines of seven main characters into one big crazy fest. After that, I popped in The Blood Shed, which starts off with a preteen kid being yanked in half and just gets more insane (see: awesome) from there.
After watching Kelly’s films and chatting...
Kelly’s opening salvo to me was the grisly, intense and controversial A Far Cry From Home segment from the recently wrapped Gallery Of Fear anthology, which he co-wrote, co-directed and produced for his Southpaw Pictures. From there I jumped back to his first feature, I’LL Bury You Tomorrow, a loopy, sprawling, bloody feature that manages to wind storylines of seven main characters into one big crazy fest. After that, I popped in The Blood Shed, which starts off with a preteen kid being yanked in half and just gets more insane (see: awesome) from there.
After watching Kelly’s films and chatting...
- 5/13/2009
- Fangoria
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