Showing posts with label suicide. Show all posts
Showing posts with label suicide. Show all posts

Saturday, June 26, 2010

Mazes and Monsters (1982)


I've name-dropped the 1982 made-for-TV turkey Mazes and Monsters a few times, and since the DVD seems to have quietly gone out of print recently, I thought I'd finally honor it with a proper post.

Based on Rona Jaffe's sensational novel of the same name, Mazes and Monsters is a thinly veiled fictionalization of the real-life disappearance of James Dallas Egbert III, a 16-year old child prodigy and Dungeons and Dragons player, who went missing for several weeks in 1979, allegedly after attempting to live out his fantasy role playing obsession in the labyrinth of steam tunnels beneath Michigan State University. It was later learned the incident was a failed suicide attempt, and the significance of Egbert's gaming hobby on the emotionally disturbed teen's actions is questionable at best, but that didn't stop an alarmist media from stirring up suburbia with the Dungeons and Dragons connection.

The premier of Mazes and Monsters was a bit of an event in my circle of friends, as it gave us a chance to spend two hours of quality time in front of the TV with our parents so they could learn all about our strange new hobby with all the funny dice.

Meet Jay Jay Brockway (Chris Makepeace), a 16-year old genius attending Grant University, whose 190 IQ and young age make it difficult for him to fit in socially with his college-aged classmates. He deals with this by playing Mazes and Monsters, a fictional "fantasy role-playing game in which the players create imaginary characters...plunged into a fantasy world of invented terrors."

He also wears lots of stupid hats.

Jay Jay is one of four players in an ongoing Mazes and Monsters campaign, the other three being aspiring writer Kate Finch (Wendy Crewson), Daniel (David Wallace), a wanna-be game designer being pressured toward a career in computers by his parents, and a fourth player mentioned only in the past tense, who mysteriously "flipped out" last year and isn't returning this semester.

This leaves the group with an open slot that must be filled, and Jay Jay wastes no time posting an ad on the student union bulletin board, where he lurks throughout the day so he can accost any person who happens to read it.

Enter Tom Hanks as Robbie Wheeling, a new student to Grant (poor grades at his previous school forced him to transfer. Something about spending too much time playing a game of some kind...)

If you're wondering what a big star like Tom Hanks is doing within 100 feet of this production, you must remember that in 1982, Hanks was known merely as the slightly funnier guy on the cross-dressing sit-com Bosom Buddies (his turn as leading man in feature films Splash and Bachelor Party wouldn't happen for another two years). Believe it or not, the hottest name on the credits had to be Makepeace, having the summer camp screwball comedy Meatballs (1979), and high school drama My Bodyguard (1980) under his belt.

Robbie (Hanks) agrees to join the game after being assured it won't take up too much of his time, a decision no doubt influenced by his attraction to Kate.

Mazes and Monsters does make an admirable attempt to accurately portray the mechanics of the typical role playing game. One player, Daniel, is designated "Maze Master", who runs the campaign, keeps the maps, and controls the fate of other players, each of whom have their own hand-written character sheets and miniature figures. That said, how is anyone going to look up armor class tables in a dark room lit only by candles?



"Your fate is in my hands."

Kate is Glacia the Fighter, Jay Jay is Frelic, "the cleverest of all sprites", and Robbie is Pardue, a holy man, who uses a sword only when his magic fails him.

Robbie is quickly embraced by the group, and an outside-the-game romance soon develops between him and Kate.

But he's still haunted by recurring nightmares of his younger brother Hall. Several years ago, Hall (whose birthday happens to fall on Halloween... lucky boy!) left in the middle of a Halloween/birthday party to run away to New York. Robbie hasn't seen him since, and feels guilty for not keeping a better eye on him.

When Jay Jay learns of Robbie and Kate's relationship, he feels jealous and lonely. In an attempt to reassert his importance in their group, he conceives of an evolved version of the game Mazes and Monsters, to be played out in the nearby "mysterious, forbidden" Pequod Caverns, which have been boarded up and off-limits to visitors since some kids disappeared in them years earlier.

After borrowing a skeleton from the science department and some costumes from theater arts, the group embarks to the Caverns, lanterns in hand, for their new game, with Jay Jay serving as the Maze Master.

After a spooky encounter with some real cave-dwelling bats and Jay Jay's prop skeleton, the group splits up.

Robbie, still affected by his nightmares and having trouble distinguishing reality from fantasy, hallucinates a terrifying encounter with a "Gorvil".

"The most frightening monsters are the ones that exist in our mind."

The game ends and the group leaves the caves behind, but Robbie, traumatized by the experience, continues to speak and act in-character, as Pardue the holy man. His nightmares about his brother Hall become more intense. He breaks up with Kate, stops attending classes, and shows up at Jay Jay's Halloween party in character as Purdue.

After Robbie isn't seen for several days, Kate, Jay Jay and Daniel search his room, but find only an elaborate hand-drawn game map, labeled "The Great Hall" and "The Two Towers", which they recognize as a reference to Robbie's brother Hall and the second book in Tolkien's Lord of the Rings trilogy.


The Mayor of Shark City, Murray Hamilton, shows up as a police detective investigating their missing friend. He knows about Robbie's involvement in Mazes and Monsters and wonders what part the game may have played in his disappearance.

They finally piece together that Robbie must have left for New York to find his brother ("the Great Hall"), the Two Towers on his map referring to the World Trade Center. This is the first instance I'm aware of in which Tolkien's The Two Towers is linked to the twin towers of the World Trade Center. The second wouldn't occur for another twenty years, when an on-line petition was launched urging director Peter Jackson and New Line Cinema to rename the second chapter in their Lord of the Rings film trilogy to avoid any perceived reference to the 9-11 attacks. (A counter-petition in favor of keeping the title "The Two Towers" also emerged.)

The trio follow Robbie to the top of one of the towers, and are only able to talk him out of jumping to his death when Jay Jay asserts his authority as Maze Master.

In an epilogue meant to be chilling (but had me giggling), they visit Robbie at his parents' house three months later. He's traded in his cleric's robes for a trendy Le Tigre polo shirt and white shorts, but he's otherwise living in-character, referring to his parents as "the innkeeper and his wife." He invites his old friends to embark on a new quest in the "great forest beyond the enchanted lake" (or perhaps that's just his way of asking for help looking for stray golf balls.)

Sunday, February 21, 2010

Do You Know What I'm Going to Do Next Saturday? (1963, Helen Palmer)

From 1963, here's an I-Can-Read-It-All-By-Myself Beginner Book, Do You Know What I'm Going To Do Next Saturday?, by Helen Palmer (wife of Dr. Seuss himself, Theodor Giesel. She also authored the popular A Fish Out of Water.)

Unlike A Fish Out of Water (and most books that bore the famous Cat-In-The-Hat imprint), the text of ...Next Saturday is embellished not with illustrations but with black and white photographs.

On the surface, ...Next Saturday is an imaginative boy's fantasy of all the exciting things he wants to do and see when the weekend finally arrives, unencumbered by the dull limitations of reality.

But some people see in ...Next Saturday another message entirely, a window into the psyche of a lonely and disturbed little boy, whose boastful plans mask his true intention of taking his own life.

Yes, some see in ...Next Saturday a child broadcasting his plan to commit suicide.

...Next Saturday opens with the boy (unnamed in the book, but I'll refer to him by the model's name, Rawli Davis) warning a playmate (who is much too young to be in Rawli's peer group...a red flag for any child psychologist) that he plans to do something "big" this Saturday. Is this a last, awkward attempt to reach out for help?

He'll start by eating a lifetime's worth of breakfasts in one sitting.

This is followed by visions of grandeur. On Saturday, the world will finally know he's special and important.

Rawli will then indulge in the kinds of pleasures his limited experience of the world affords... unlimited rounds of bowling and water skiing.

At this point things start to take a turn for the weird. Rawli next fantasizes about forcing his "friend" Sam on some kind of endurance march into the wilderness from which only Rawli will return (Sam being, no doubt, a close friend who failed Rawli in some way at his most desperate hour, and must now pay).

I'll make him take a walk.
I'll make Sam walk
about a hundred miles.
After a walk like that,
I'll have to eat a little something.
Sam won't keep going,
but I want to keep going.
Feelings of persecution and low self-esteem surface, with Rawli claiming the adults will try to foil his plans, then toss him in a trash can... ...dirty garbage boy!

They will try to stop me.
They may catch me.
They may take me away
in a big tin can.
They may dump me over a wall.
But I'll pop up again.
No, those authoritarian figures who fail to recognize Rawli's humanity won't stop him from executing his final act.

It's not hard to see why the book stirred controversy when it was first published and was ultimately banned.

Or was it? The only reference to the alleged suicidal subtext of ...Next Saturday and its subsequent banning is this page on Snopes.com that thoroughly debunks it as an urban legend fueled by a single Web page.

So is there really something strange going on under the surface of ...Next Saturday? Other than cultural shifts in what activities are considered appropriate for young children, and modern sensitivities towards certain figures of speech, the answer is NO.

The gun-handling, you see, is occurring on the shooting range of a U.S. Marines training depot that Rawli is visiting, supervised by uniformed adult soldiers.

And the phrase "I'll blow my head off" refers to the child blowing a tuba to the point of exasperation.

But I must admit, once the idea has been planted in your head that this innocent book is some kind of children's suicide manifesto, it is a little creepy...

In Memorium
Rawli Davis
1952-1963
(not really)