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Berenice Abbott (1898–1991)

Author of New York in the Thirties

45+ Works 720 Members 8 Reviews 1 Favorited

About the Author

Image credit: Hank O'Neal

Works by Berenice Abbott

New York in the Thirties (1939) 309 copies, 4 reviews
Berenice Abbott (1988) 119 copies, 1 review
The world of Atget (1964) 84 copies, 1 review
Photographs (1970) 37 copies
Berenice Abbott (1995) 19 copies
The Unknown Berenice Abbott (2013) 19 copies
Documenting Science (2012) 16 copies
A guide to better photography (1941) 15 copies, 2 reviews
Berenice Abbott, Photographer: A Modern Vision (1989) — Photographer — 12 copies
BERENICE ABBOTT (2019) 7 copies
Selected Writings (2020) — Author — 4 copies
Topographien (2016) 4 copies
Berenice Abbott 4 copies
The Beauty of Physics (1987) 1 copy
Berenice Abbott: The 20s and the 30s (1982) — Photographer — 1 copy

Associated Works

The Bottom of the Harbor (1959) — Illustrator, some editions — 161 copies, 2 reviews
New York: Portrait Of A City (2012) — Photographer — 124 copies

Tagged

Common Knowledge

Birthdate
1898-07-17
Date of death
1991-12-09
Gender
female
Nationality
USA
Birthplace
Springfield, Ohio, USA
Place of death
Monson, Maine
Places of residence
Springfield, Ohio, USA
Greenwich Village, New York, USA
Education
Ohio State University
Occupations
photographer
teacher
Relationships
Ray, Man (mentor)
McCausland, Elizabeth (companion)
Awards and honors
American Academy of Arts and Letters (American Honorary ∙ 1983)
Short biography
Berenice Abbott was born in Springfield, Ohio and attended Ohio State University with the intention of becoming a journalist. In 1918, however, she moved to Greenwich Village in New York City, and from there traveled to Europe, where she studied sculpture under Brancusi and Bourdelle. From 1923 to 1925, she worked as a darkroom assistant to Man Ray in Paris. In 1926, she opened her own portrait studio there. She was a friend of modernists and ex-patriate artists, including Djuna Barnes. Berenice Abbott's work came to be exhibited alongside that of Man Ray, André Kertész, and others in the Premier Salon Indépendant de la Photographie in Paris, and was acquired by the Art Institute of Chicago, the Smithsonian Institution, and many other museums and galleries. In 1929, she returned to the USA and continued to practice photography until 1934, when she began to teach. She never married and was the lifetime companion of art historian Elizabeth McCausland. She promoted and curated the work of the French photographer Eugene Atget, whom she admired, bought his photos and placed them in the Museum of Modern Art in New York. Her books included Changing New York (1939), The View Camera Made Simple (1948), and The World of Atget (1964).

Members

Reviews

Photographic history of New York City in the 1030s
 
Flagged
Docent-MFAStPete | 3 other reviews | May 27, 2024 |
The photo's in the book were okay. I love photography so there is nothing off limits but the images looked the same as I progressed. . I still skim through this book from time to time.
 
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Koralis | Jul 12, 2022 |
Abbott helped save the work of Atget, whose photography became classic, basic to the history and criticism of photography as Bach is to music. Unfortunately the reproductions are in black and white rather than the warm brown tones that gave the originals some of their essential character, and somewhat too contrast. This book should be considered essential for it's early discussion by Abbott in tandem with the many later fine books and reproductions of Atget's photography.
1 vote
Flagged
j-b-colson | Sep 28, 2013 |
This book opens with, "PHOTOGRAPHY is a new way of seeing," thus establishing both it's relatively early date and an attitude for what is to come. Abbott is a major figure in twentieth century photography for two reasons beyond this book and her other writing; she helped preserve and bring the work of Eugene Atget to the attention of the world (he is now recognized as one of history's greatest photographers) and the documentation she made of New York City, inspired in part by Atget.
Her instruction book is thus important as insight to both her methods and her thinking. The advice is dated, oriented to the large format cameras that were her primary tools, but sound. The examples of her own and other's work given on glossy plates are well chosen, often from historically noted work.… (more)
 
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j-b-colson | 1 other review | Sep 7, 2010 |

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Statistics

Works
45
Also by
2
Members
720
Popularity
#35,254
Rating
4.1
Reviews
8
ISBNs
35
Languages
5
Favorited
1

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