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Denis Diderot (1713–1784)

Author of Jacques the Fatalist

578+ Works 8,339 Members 98 Reviews 20 Favorited

About the Author

Denis Diderot was a French philosopher and critic during the Age of Enlightenment. Born in 1713 in Langres, France, Diderot was educated at the University of Paris. From 1745 to 1772 he served as editor of L'Encyclopedie, which he fashioned as a journal of radical revolutionary opinion. He was a show more leader in the movement to challenge both church and state by furthering knowledge. Diderot also wrote several critical and philosophical works including Pensees sur l'interpretation de la nature (Thoughts on the Interpretation of Nature, 1754). In addition, he published essays based on personal experience, as well as several plays. As a philosopher, Diderot speculated on free will and held a completely materialistic view of the universe; he suggested all human behavior is determined by heredity. He is recognized now as an art critic of the first rank. His Essai sur la peinture (Essay on Painting, 1796) won him posthumous praise as a critic of painting technique and aesthetics. He died in Paris in 1784 and was buried in the city's Église Saint-Roch. His heirs sent his vast library to Catherine II, who had it deposited at the National Library of Russia. (Bowker Author Biography) show less
Image credit: From Wikimedia Commons

Series

Works by Denis Diderot

Jacques the Fatalist (1796) — Author — 1,865 copies, 29 reviews
The Nun (1796) 1,413 copies, 24 reviews
Rameau's Nephew (1782) — Author — 469 copies, 9 reviews
The Indiscreet Jewels (1748) — Author — 279 copies, 2 reviews
Supplément au voyage de Bougainville (1772) 164 copies, 4 reviews
This is Not a Story and Other Stories (World's Classics) (1985) — Author — 105 copies, 1 review
Paradoxe sur le comédien (1960) — Author — 92 copies
Encyclopedia: Selections (1965) 88 copies, 1 review
Lettres à Sophie Volland (1972) 76 copies
Oeuvres philosophiques (1961) 65 copies
Diderot: Political Writings (1992) 63 copies
Le Rêve de d'Alembert (1769) 55 copies, 1 review
Lettre sur les aveugles (1994) 51 copies, 2 reviews
Oeuvres romanesques (1962) 43 copies
Oeuvres esthétiques (1981) 41 copies
Oeuvres (1963) 39 copies, 1 review
Voyage en Hollande (1982) 27 copies
Contes et romans (2004) 23 copies, 1 review
Pensées philosophiques (1998) 22 copies, 2 reviews
Salons (1975) 19 copies
Contes et entretiens (1977) 15 copies
Ency.did.alemb.art textiles (2002) — Editor — 14 copies
Oeuvres philosophiques (2010) 14 copies, 1 review
L'uccello bianco 14 copies
Horlogerie (French Edition) (2002) 13 copies
Ency.did.alemb.chirurgie (2002) — Editor — 13 copies
Le neveu de rameau suivi de: la religieuse (2006) — Author — 12 copies
Contes (1963) 11 copies
Dialogues (1971) 11 copies
Encyclopedic Liberty (2016) 11 copies
Diderot on art (1995) 11 copies
Ency.did.alemb.forges (2002) — Editor — 10 copies
Paradoja del comediante y otros ensayos (1990) 10 copies, 1 review
Ecrits philosophiques (1964) 10 copies
Memoires pour Catherine II (1966) 10 copies
Oeuvres politiques (1963) 9 copies
Filosofische gesprekken (2012) 9 copies
Escritos filosóficos (1975) 8 copies
Lettera sui sordi e muti (1984) 8 copies
Encyclopedic Liberty (2016) 8 copies
Marine (2002) 8 copies
Diderot, tome 2 : Contes (1994) 7 copies
Escritos sobre arte (1994) 7 copies
Encyclopedia (1965) — Editor — 6 copies
Felsefe Konusmalari (2013) 6 copies
Oeuvres 5 copies
Diderot - Os Pensadores (1979) 5 copies
Quatre contes (2013) 5 copies
Salon de 1765 (1984) 5 copies
Histoire de Mme de La Pommeraye (2018) 4 copies, 2 reviews
Traité du beau (1995) 4 copies
Scritti politici (1980) 4 copies
The Skeptic's Walk (2018) 4 copies
1: Arti e mestieri (2002) 4 copies
Escritos políticos (1989) 4 copies
Saggi sulla pittura (2004) 4 copies
Diderot (1984) 4 copies, 1 review
D'Alembertov sen (2013) 3 copies
Oeuvres de Denis Diderot (2012) 3 copies
Výbor z díla (1990) 3 copies
Zakonnica (1985) 3 copies
Œuvres philosophiques (2004) 2 copies
Cartas a Sophie Volland (2010) 2 copies
Il paradosso dell'attore (2014) 2 copies
A RELIGIOSA (P11L68) (2020) 2 copies
Vida de Séneca 2 copies
Spinosa / spinosista (2010) 2 copies
Die Rache einer Frau (2000) 2 copies
Correspondance 2 copies
Ecrits sur la Musique (1987) 2 copies
DIDEROT: DIALOGUES (1969) 2 copies
L'uccello bianco (2012) 2 copies
Esej o malarstwie (2015) 2 copies
Maximes et pensées (1998) 1 copy
Manet (1994) 1 copy
Briefe: 1742 - 1781 (1984) 1 copy
HIl Inipote di Rameau (1981) 1 copy
Poesie (1997) 1 copy
Mystifikation (1966) 1 copy
Teatro 1 copy
Lettres de la campagne (2023) 1 copy
El sobrino de Rameau (2013) 1 copy
Mníška 1 copy
Ansiklopedi (2015) 1 copy
Encyclopédie (2002) 1 copy
L'uomo e la morale (1987) 1 copy
La Monarca 1 copy
O divadle 1 copy
Ritorno alla natura (1993) 1 copy
Spreuken 1 copy
La promenade Vernet (2000) 1 copy
La politica 1 copy
Romans 1 copy
Traité du beau (2015) 1 copy
O religiji 1 copy
O svojstvima 1 copy
Oeuvres Diverses (2015) 1 copy
Redovnica 1 copy
O umetnosti 1 copy
Poésies diverses (2015) 1 copy
Herecký paradox (1997) 1 copy
LA POLITICA 1 copy, 1 review
Über die Frauen. (1968) 1 copy
Xácome o fatalista (2021) 1 copy
Religiosa, A 1 copy
Essäer om måleriet (2021) 1 copy
Calugarita 1 copy
Contes [de] Diderot (1963) — Author — 1 copy
Donna Alba 1 copy
Œuvres Philosophiques (1956) 1 copy

Associated Works

Extraordinary Tales (1955) — Contributor — 298 copies, 7 reviews
A Documentary History of Art, Volume 2 (1982) — Contributor — 148 copies, 3 reviews
The Anarchists (1990) — Contributor — 115 copies
Great French Short Stories (1960) — Contributor — 75 copies, 1 review
Great French Short Novels (1952) — Contributor — 32 copies
The Body and the Dream - French Erotic Fiction 1464-1900 (1983) — Contributor — 21 copies
The Penguin Book of French Short Stories (1968) — Contributor, some editions — 19 copies
The Ladies of the Bois de Boulogne [1945 film] (1945) — Original book — 18 copies, 1 review
Britannica Great Books: Swift, Voltaire, Diderot (1991) — Contributor — 18 copies
The Masterpiece Library of Short Stories Volumes 3 & 4 (1905) — Contributor — 17 copies
Dialogues sur le commerce des bleds (1984) — Editor, some editions — 15 copies
Diderot par lui-même (1953) — Contributor — 14 copies
Profil d'une œuvre. Le neveu de Rameau, Diderot (1972) — Contributor — 10 copies
The Nun [1966 film] — Original book — 7 copies
Convent of Sinners [1986 film] (1986) — Original book — 3 copies
The Nun [2013 film] (2015) — Original story — 3 copies

Tagged

Common Knowledge

Canonical name
Diderot, Denis
Legal name
Diderot, Denis
Birthdate
1713-10-15
Date of death
1784-07-31
Burial location
Saint-Roch, Paris, France
Gender
male
Nationality
France
Birthplace
Langres, France
Place of death
Paris, France
Education
University of Paris (MA)
College d'Harcourt
Lycée Louis-le-Grand, Paris, France
Occupations
philosopher
polymath
Relationships
d'Epinay, Madame (friend)
Rousseau, Jean-Jacques (friend)
d'Alembert, Jean le Rond (co-author)
Catherine the Great (patron)
Grimm, Friedrich-Melchior (friend)
Vandeul, Marie Angélique de (daughter)
Short biography
Denis Diderot was a prominent philosopher, art critic, polymath, and writer of the French Enlightenment, best known today as co-founder and chief editor of the Encyclopédie. Diderot was educated by the Jesuits in Langres and earned a master of arts degree in philosophy in Paris. He considered entering the clergy and studying law. However, by 1734 Diderot had decided to become a writer. Because of his refusal to enter one of the learned professions, he was disowned by his father, and for the next 10 years he lived a Bohemian existence, in near-poverty, dodging the censors. He befriended Jean-Jacques Rousseau, Madame d'Epinay, and other writers and thinkers (philosophes). In 1743, he married Antoinette Champion, daughter of a linen draper, a match his father considered inappropriate; the couple had one surviving child. Diderot had affairs with the writer Madeleine de Puisieux and Sophie Volland; his letters to them contain some of the most vivid insights that historians have into his personality and the daily life of the French philosophes of the period. Diderot was elected to the Académie française, but still had financial troubles, especially when it came time for his daughter Marie-Angelique to marry, and was about to sell his library. Jacob Grimm appealed on his behalf in 1765 to Catherine the Great of Russia, who commissioned an agent in Paris to buy the library; she then requested that Diderot retain the books and act as her librarian with an annual salary that she paid in advance. In 1773, Diderot went to visit the Empress in Saint Petersburg to thank her, and spent some months at court. After his death, his library was deposited at the National Library of Russia. Diderot's last words were said to be, "Le premier pas vers la philosophie, c'est l'incrédulité" ("The first step toward philosophy is incredulity").

Members

Discussions

Diderot - Dialogues & Minor Works in Literary Centennials (October 2013)
Diderot - The Indiscreet Jewels in Literary Centennials (October 2013)
Diderot - The Nun in Literary Centennials (March 2013)

Reviews

I read Diderot's The Dream of D'Alembert 20 years ago (written in 1769, but published much later), and that was quite difficult reading, because it dealt with a number of philosophical-scientific issues of that time (mid-18th century). It wasn't the form that was the problem, because Diderot had wrapped it in dialogue form, which is always more pleasant to read than a dry argument. It wasn't the 18th century French either (I read this in the original version), because that differs relatively little from modern French, which I understand well (although it is not my mother tongue). I think it rather was the dry, topic-based treatment that did me in.
This book, Jacques the Fatalist (1785), actually also is a philosophical story in dialogue form. But Diderot wrote it in a much lighter style, with a clear ironic-picaresque slant, and that makes it much more digestible. The dialogue takes place between the servant Jacques and his unnamed boss (the master). Jacques is an inveterate chatterbox who loves to talk about his time in the army and his amorous adventures. His boss is particularly interested in the latter, but he remains dissatisfied because Jacques jumps from topic to topic, is interrupted by the master and other people. The broken storyline leads to irritation and frustration with the master, but also with the reader. And that is apparently deliberately intended by Diderot, who regularly interrupts the novel to address the reader directly and to comment on the events himself, which of course only makes matters worse. In this Diderot was inspired by Tristam Shandy, the voluminous novel by the English writer Laurence Sterne, the first parts of which had been published a few years earlier. And that of course explains a few things. Because if there is one novel that tests the patience of the reader, with constant interruptions and digressions, it is this one. But Diderot was also clearly inspired by the ironic and picaresque nature of Sterne's novel. Jacques Le Fataliste also excels in his laconic, satirical and often simply absurd nature. And the entertaining stories within the story (such as the delightful one about the Marquis des Arcis and the Marquise de Pommeraye) certainly compensate for the reading difficulties.
Okay, fine, but what about the philosophy? That is certainly there, even on almost every page. Because chatterbox Jacques turns out to be a fatalist, who attributes everything he experiences to Providence, "everything good and bad that happens to us here below was written up there”. In the dialogue with the master, that providence is constantly being sounded out, and with it inevitably the question of man's free will, one of the most fundamental philosophical issues. Every adventure, every prank, every bit of luck or misfortune is weighed up and discussed in this light, by each of the three main characters (Jacques, the master ànd the writer). Not with weighty philosophical arguments, no, on the contrary, light-heartedly and with a wink, and therefore also constantly undermining (false) certainties: “It is because, for lack of knowing what is written up there, we know neither what we want nor what we do, and we follow our fantasy which we call reason, or our reason which often just is a dangerous fantasy that sometimes turns out well, sometimes badly.” (what a great quote”!). I enjoyed this delicious, mischievous novel immensely. For me, this is the best thing Diderot ever put to paper.
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½
 
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bookomaniac | 28 other reviews | Aug 12, 2024 |
I was inspired to read Diderot’s novel by [b:A Wicked Company: The Forgotten Radicalism of the European Enlightenment|8305177|A Wicked Company The Forgotten Radicalism of the European Enlightenment|Philipp Blom|https://images.gr-assets.com/books/1328841616s/8305177.jpg|13154184], in which the author argued that Rousseau was overrated and Diderot underrated. 'Memoirs of a Nun' had a rather befuddling origin as a prank played on another member of the Enlightenment clique, the Marquis de Croismare. As Diderot wrote, it grew into a bitter satire on France’s religious institutions, thinly disguised as the autobiography of a girl who is forced to become a nun. She is first placed in a fairly pleasant convent, however she is adamant that the life of a nun is not for her. She is subsequently ostracised and tortured for trying to leave, but cannot secure her release. She finally ends up in an ostensibly more pleasant convent, in which the Mother Superior keeps a harem of girls. The unfortunate Susan becomes the treasured favourite of this Mother Superior but still wishes to escape.

This novel reminded me of Hugo’s lengthy anti-convent rant in book 7 of [b:Les Misérables|24280|Les Misérables|Victor Hugo|https://images.gr-assets.com/books/1411852091s/24280.jpg|3208463], with a dash of Gautier’s saucy [b:Mademoiselle de Maupin|1424687|Mademoiselle de Maupin|Théophile Gautier|https://images.gr-assets.com/books/1419890600s/1424687.jpg|246023]. Susan the reluctant nun is a rather ambivalent character, which makes her more interesting than she initially seems. She is clearly quite well suited to convent life and has no other preferable occupation to go into; she remains adamant that she doesn’t want to be a nun. The novel thus asks the reader, why should Susan be a nun? Why shouldn’t it be her decision? Why should she be trapped in religious life just because she is an illegitimate child? What value do convents have to God if the nuns within have no vocation for it and are prisoners? Diderot was writing in 1760, when asking such questions would get you imprisoned. Indeed, the novel was not published until 1796 and both books I compare it to were written in the following century. 'Memoirs of a Nun' is a peculiar yet powerful polemic. It ends in a confused and abrupt fashion, though.
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annarchism | 23 other reviews | Aug 4, 2024 |
This was a wonderful book about the danger of forcing the monastic life on someone without the disposition. I was fascinated by the book. I think that it can be easily relatable to many people despite its religious nature. Anytime someone is forced to exist in a way that does not correspond to their nature there is suffering.
 
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caseybp | 23 other reviews | Aug 4, 2024 |
This book is such a joy! It's really difficult to describe what it is about: Jacques and his master are going somewhere and they have some adventures, but it doesn't really matter - this book could have no plot at all and it would still be wonderful. There are lots of fun stories, lots of discussions about life, God and philosophy, the book is still really fresh, entertaining and original, although it was written so many years ago. Definitely five stars.
 
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Donderowicz | 28 other reviews | Mar 12, 2024 |

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Statistics

Works
578
Also by
20
Members
8,339
Popularity
#2,894
Rating
½ 3.6
Reviews
98
ISBNs
899
Languages
26
Favorited
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