Juvenal (0055–0127)
Author of The Satires of Juvenal
About the Author
The 16 Satires (c.110--127) of Juvenal, which contain a vivid picture of contemporary Rome under the Empire, have seldom been equaled as biting diatribes. The satire was the only literary form that the Romans did not copy from the Greeks. Horace merely used it for humorous comment on human folly. show more Juvenal's invectives in powerful hexameters, exact and epigrammatic, were aimed at lax and luxurious society, tyranny (Domitian's), criminal excesses, and the immorality of women. Juvenal was so sparing of autobiographical detail that we know very little of his life. He was desperately poor at one time and may have been an important magistrate at another. His influence was great in the Middle Ages; in the seventeenth century he was well translated by Dryden, and in the eighteenth century he was paraphrased by Johnson in his London and The Vanity of Human Wishes. He inspired in Swift the same savage bitterness. (Bowker Author Biography) show less
Image credit: Woodcut of Juvenal from the Nuremberg Chronicle, created in the late 1400s.
Works by Juvenal
Juvenal : The Satires : Edited with introduction, commentary & bibliography (1998) — Writer — 18 copies
Sàtires, vol. I 4 copies
D. Ivni Ivvenalis Satvrarvm libri V 4 copies
D. Iunii Iuvenalis Saturae XIII - Thirteen Satires Of Juvenal — Author — 4 copies
Satire 3 copies
The satires of Juvenal and Persius. With English notes, critical and explanatory, from the best commentators (2010) 3 copies
[Works] 2 copies
Satirae P. McC. Paris, 1823, 2 vols. 2 copies
Juvenal ; edited with introduction, notes on thirteen satires, and indices, by Henry Parks Wright 2 copies
Satiry 2 copies
With An English Translation 2 copies
Thirteen satires of Juvenal 2 copies
Satiry 1 copy
Le Satire 1 copy
Juuenalis familiare commentum [by J. Badius Ascensius] Cum Antonij Mancinelli ... explanatione. 1 copy
Iuvenalis satyr 1 copy
Thirteen Satires of Juvenal 1 copy
Thirteen Satires of Juvenal 1 copy
Satire V 1 copy
Sátiras 1 copy
D. Ivnii Ivvenalis Satvrae 1 copy
Satire di D.G. Giovenale 1 copy
Decii Junii Juvenalis Satirae XIII: Thirteen Satires Of Juvenal (1867) (Latin Edition) (2010) 1 copy
Juvenal, a Dunster 1 copy
Sàtires, Vol II 1 copy
D. Junii Juvenalis Satirae: 1 copy
Juvenal Satires I, III, IV 1 copy
Satire X 1 copy
The Satires of Juvenal Edited for the Use of Schools with Notes, Introduction, and Appendices (1963) 1 copy
Iuuenalis : Persius 1 copy
Sàtires, vol. 2 1 copy
Sàtires, vol. 1 1 copy
D. Junii Juvenalis, et A. Persii Flacci Satiræ Interpretatione ac notis illustravit Ludovicus Prateus, 1 copy, 1 review
Sàtires, vol. II i últim 1 copy
Sàtires, vol. II 1 copy
Sàtires, II 1 copy
Associated Works
World Poetry: An Anthology of Verse from Antiquity to Our Time (1998) — Contributor — 458 copies, 1 review
The Dedalus Book of Roman Decadence: Emperors of Debauchery (Decadence from Dedalus) (1994) — Contributor — 45 copies
Latijnse varia bloemlezing uit de werken van een tiental Latijnse dichters en prozaschrijvers (1954) — Contributor — 5 copies
Römische Satiren : Ennius, Lucilius, Varro, Horaz, Persius, Juvenal, Seneca, Petronius (1962) — Contributor — 3 copies
Translations from Horace, Juvenal & Montaigne — Contributor — 2 copies
A. Persii, D. Iunii Iuvenalis, Sulpiciae Saturae — Author, some editions — 2 copies
Tagged
Common Knowledge
- Canonical name
- Juvenal
- Legal name
- Juvenalis, Decimus Junius
Iuvenalis, Decimus Iunius - Other names
- Giovenale
Giovenale, Decimo Giunio - Birthdate
- 0055
ca. 0055 - Date of death
- 0127
ca. 0127 - Gender
- male
- Nationality
- Roman Empire
- Birthplace
- Aquinum, Roam Empire (now Italy)
- Occupations
- poet
army officer
Members
Reviews
Lists
Awards
You May Also Like
Associated Authors
Statistics
- Works
- 128
- Also by
- 10
- Members
- 2,734
- Popularity
- #9,397
- Rating
- 3.9
- Reviews
- 32
- ISBNs
- 125
- Languages
- 11
- Favorited
- 6
The Satires attack two main themes: the corruption of society in the city of Rome and the follies and brutalities of mankind. In the first Satire, Juvenal declares that vice, crime, and the misuse of wealth have reached such a peak that it is impossible not to write satire, but that, since it is dangerous to attack powerful men in their lifetime, he will take his examples from the dead. He does not maintain this principle, for sometimes he mentions living contemporaries; but it provides a useful insurance policy against retaliation, and it implies that Rome has been evil for many generations. Male homosexuals are derided in two poems: passives in Satire 2, actives and passives together in Satire 9. In the third Satire a friend of Juvenal explains why, abandoning the humiliating life of a dependent, he is determined to live in a quiet country town and leave crowded and uncomfortable Rome, which has been ruined by Greeks and other foreign immigrants; while in the fifth Juvenal mocks another such dependent by describing the calculated insults he must endure on the rare occasions when his patron invites him to dinner. The fourth relates how Domitian summoned his cringing Cabinet to consider an absurdly petty problem: how to cook a turbot too large for any ordinary pan.
Satire 6, more than 600 lines long, is a ruthless denunciation of the folly, arrogance, cruelty, and sexual depravity of Roman women. The seventh Satire depicts the poverty and wretchedness of the Roman intellectuals who cannot find decent rewards for their labours. In the eighth, Juvenal attacks the cult of hereditary nobility. One of his grandest poems is the 10th, which examines the ambitions of mankind—wealth, power, glory, long life, and personal beauty—and shows that they all lead to disappointment or danger: what mankind should pray for is “a sound mind in a sound body, and a brave heart.” In Satire 11, Juvenal invites an old friend to dine quietly but comfortably and discourses on the foolishly extravagant banquets of the rich. The 12th is a quiet little poem distinguishing between true and mercenary friendship. In the 13th Juvenal offers sarcastic consolation to a man who has been defrauded of some money by a friend, telling him that such misdeeds are commonplace; while in the 14th he denounces parents who teach their children avarice. Satire 15 tells of a riot in Egypt during which a man was torn to pieces and eaten: a proof that men are crueler than animals. In the 16th Juvenal announces that he will survey the privileges of professional soldiers, an important theme; but the poem breaks off at line 60 in the middle of a sentence: the rest was lost in ancient times.
Technically, Juvenal’s poetry is very fine. The structure of the individual Satires is—with a few exceptions—clear and forceful. They are full of skillfully expressive effects in which the sound and rhythm mimic and enhance the sense; and they abound in trenchant phrases and memorable epigrams, many known to people who have never heard of Juvenal: “bread and circuses”; “Slow rises worth, by poverty oppressed”; “Who will guard the guards themselves?”; “the itch for writing”; “The greatest reverence is due to a child.” Vivid, often cruelly frank, remarks appear on almost every page: after describing a rich woman’s efforts to preserve her complexion with ointments, tonics, donkey’s milk, and poultices, Juvenal asks, “Is that a face, or an ulcer?” He describes striking and disgusting scenes with a clarity that makes them unforgettable: we see the statues of the emperor’s discarded favourite melted down to make kitchenware and chamber pots; the husband closing his disgusted eyes while his drunken wife vomits on the marble floor; the emperor Claudius (poisoned by his consort) “going to heaven” with his head trembling and his lips drooling long trains of saliva; the impotent bridegroom whimpering while a paid substitute consoles his wife. Juvenal is not a poet to be relished by soft hearts.… (more)